#We know who is really pulling the strings; don’t we ;; Lest Headcanons

[flordivina]

—Silken Petals, & Velvety Leaves From the Florae in the wild meadow to the Tallest of Canopies—

My personal Hcs on most of my Ladies’ height ♥

• In the case of Lest ; Ahri & Aurora; those are from tip of feet to top of their heads; their ears would obviously make it far higher & add a certain amount of extra inches. Lillia is also from the tip of her front hooves to the top of her head; the bloom upon her head adding extra inches too. • In the case of Nami; this is from the top of her head to the (ground) where her tail curls over the everlasting water commanded beneath her form. Her whole length to the tip of her tail fins is almost double. • LeBlanc's height is mainly this one ; yet it may change depending on her disguise & facade. Ex: Madame Selene being closer to Ahri's height more likely ; Lord Evan almost close to Lest's height ; etc. She can alter it fully if she so desires with her glamour; but prefers to stay in her naturally-given one... sometimes just being herself is more delightful after all.

[kekeslider]

I’ve been holding on to this one for a while because of sheer laziness, because I knew it would be long as fuck, but I continue to see people saying that Shadow Weaver was redeemed at the end, via one act of good before dying, and I don’t think that’s the case at all. I believe at the end she may have escaped.

Here’s my biggest take on SW, obvious as it is: she is primarily concerned with power and control at all times. It’s consistent through every bit of her story. She recognizes power in young people, Adora and Micah specifically, and seeks to control them. She’s nice to them, affectionate, at first. In her own super messed up way she cares about them. But never more than herself, her own desires and interests.

The common belief after the finale is that Shadow Weaver’s last act before the end was an attempt by the writing to give her a miniature redemption through death. And other people have said it but one of the purposes this actually serves is to show that despite all her efforts, SW never really controlled Adora and Catra, she never turned them into the things she wanted them to be, because they anchored each other. Adora and Catra crying over SW’s death isn’t to show that she was actually not so bad, it’s to show that in spite of everything, Adora and Catra still care about the life of others intrinsically.

Shadow Weaver knew this before her sacrifice. The fact that Adora could not continue on to the Heart without Catra was proof enough that she had lost control, if you could even argue that she ever truly had it. You might view SW’s decision to stop the beast and let them go as an acceptance of this fact, or that she simply did what had to be done to save the whole universe, or that she had a genuine desire to do one good thing in her life. But I’m going to argue for two different alternatives.

1. Shadow Weaver sacrificed her life here because she realized that she had no way out after this. She no longer had sway over Adora or Catra, and throughout the season, and some specific scenes in prior ones, both characters repeatedly call attention to SW’s abuse of them. They’ve reached a point in their journey where they’re both completely aware of her manipulation, her abuse, her two-sidedness. They never believe during this season that SW is a good person now, or that she repents for what she’s done. There’s a recognition that Shadow Weaver is helping the rebellion because she’s chosen to be on the side of the winners because that’s how she’ll guarantee her survival and maintain her control over the situation. She tried in the previous season to control Glimmer like she had the others, but Glimmer was too wise to actually trust SW, potentially because she knew what real love and loyalty was and recognized that that wasn’t what Shadow Weaver offered. In a genius turn, Glimmer uses Shadow Weaver rather than the other way around.

All attempts to guarantee her position after the war have failed. She has no control over Micah, Adora, Catra, or Glimmer. She can’t get Adora to the Heart without going back for Catra, so even if they somehow pull through without it she can’t claim herself a hero for her role in it. She is at the end of the road, she’s run out of tricks, and she makes a decision. She decides that dying in one last act of manipulation over the two girls she almost destroyed is her final way to secure her place in the narrative as a Hero. It’s about the legacy, it’s why she says “You’re welcome,” so they will be forced to believe she did it for them, and that would solidify her life as meaningful. It’s her last attempt to retain some of the power she craved, fought for, and stole throughout her life.

But I don’t think the writers actually intend for her to get what she wants here. Shadow Weaver is an interesting character, she has a lot of pull over events in the story, but there’s no sense that she’s beloved. Not by characters and not by writers. I’m eternally sorry to fall back on one of the most tired comparisons in the universe, but bear with me for a moment. In thinking about all of it, I noticed certain similarities between SW’s death and that of Severus Snape. One final moment before death that they want the child(ren) they abused to see that will justify everything. But that is where the similarity ends, and why I think it’s so different on the writing side of things. Snape’s death was intended by both author and narrative to excuse and forgive him for countless misdeeds. And over the years we’ve become far more critical of that. I don’t get the sense that the writers of She-Ra want us to forgive Shadow Weaver because she was oh so complex. I don’t think there’s a future catradora kid named “Shadow Hope Prime.” I think they wanted us to see this act of desperation for what it was: a last ditch attempt to retain control by a person that can’t care about anything but herself.

2. This is where we go straight into theorizing and headcanons so I’ll try to keep it shorter. My suggestion is this: Shadow Weaver did not die in her final scene, she made a grand escape.

At this point she has no friends, no allies, no one who believes she’s anything but dangerous. She has 4 people in positions of power she has personally and extravagantly harmed. She abused Catra and Adora throughout their lives, she manipulated Micah as a child and eventually sent him to Beast Island for at least 10 years, making him miss his daughter growing up, and never to see his wife again, and while SW never had the sway over Glimmer she did the others, she still was directly responsible for taking away her father, turning her mother into a, to be harsh, cowardly and ineffective leader for years, and indirectly responsible for the strife between Adora and Catra that took the war to new extremes.

Shadow Weaver has no one, and no options, and at that point in time the most likely outcome after it’s all over is prison, and she may not be lucky enough to be treated to Brightmoon’s cushy prison again.

You may ask at this point, Catra, Hordak, all the clones all get a redemption without threat of imprisonment, why not Shadow Weaver? And the answer is simple: Shadow Weaver has not redeemed herself in the eyes of the writers, viewers, or other characters. Catra saves Glimmer in an act of selflessness and love for Adora, and then becomes an instrumental help in saving Etheria. Not to mention Adora’s personal relationship with her and the recognition that they come from the same place and lived much of the same hardships. Hordak and the clones get a second chance because it is now known that they were all effectually mind-controlled and enslaved by Horde Prime, and their lives, as individuals with free choice and no strings holding them down, is only just starting. Not to mention Hordak and Wrong Hordak both have Entrapta on their side, and she’s a princess with her own kingdom and could just grant them asylum and bet the other princesses wouldn’t do anything about it lest they risk a civil war, but that doesn’t seem like a realistic issue for this new post-Horde planet anyway. The point is, the other antagonists from the show have made meaningful connections with other characters for the sake of them, not to be self-serving. Shadow Weaver continues to be manipulative up until the very end, no one will give her another chance at this point.

And she knows this. She’s a smart lady, and there’s a great big universe out there full of people that don’t know her. If Adora saves the day and the universe is saved all she has to do is get off planet, and if Adora fails they all die anyway, so why not have a go at it? My theory is that she uses her great big show of magic as a distraction and a disguise to make her escape. The world will believe she died, they may even celebrate her for her role in saving the universe, and she’ll be free.

You think there’s a hitch in this theory right? Because we see the room after she’s gone and all that’s left of her is her mask. Obviously she was completely destroyed, right?

But this specific scene reminded me of something else

If you’ve watched Teen Titans you know that the mask-wearing Slade was one of the major antagonists throughout the series, was also quite inclined to use and abuse powerful youths, and at the end was at the mercy of one (arguably two) of the children he had hurt. She kills him, he falls into lava, and the last thing we see of Slade is his mask. The next season picks up with Robin obsessed with the search for Slade, believing that he couldn’t really be gone that easily, and driven by this single remnant of him. Only to find out later that while Slade did die, he was resurrected and was once again back to be a massive asshole.

I think Shadow Weaver’s last scene does what it is meant to at first glance. Audience and characters believe she’s dead, which makes for a tidy ending, the death is non-explicit so kids don’t get too traumatized, but the ambiguity of it also means that if they wanted to, Shadow Weaver could return for a future installment in the series, be it comics, a movie, or another season. Whether those things are likely to be produced isn’t my interest in arguing here, it’s the possibility.

There’s still a lot of potential for Shadow Weaver to be used as the primary villain, and facing her again could be used any number of ways to shake up a domestic bliss the characters end up in, to have them, older, more mature, having spent time healing from how she hurt them, no longer be affected by her in the same ways. Or the complete opposite, they may still be affected by her, seeing her again could tear open old wounds, but in the end show that while hurt remains, they still carry on.

[flordivina]

—LeBlanc Faux Identity: Madame Selene Du Laurier Owner of "La Porte du Paradis" House of Pleasure Tea House 45 years old / Piltovan Socialite & Wealthy Aristocrat

A Lady who thrives in the businesses of information for her Benefactors, below the facade of a fancy, silken & glamorous 'House of Art & Romance' — home to those who wish to escape from society's standards , where all sorts of people could come to forget about their daily burdens & cruelties of the world through the delicacy & attentions of a little group of colorful-varieties as entertainment & permit their imagination to come true even if for a night. Selling Dreams, Hope & Love for anyone who’ll be able to pay in exchange for them~

Do they dream of an unique muse for their paintings? Or do they wish to become a Canvas for adoration themselves? Or Dance with a beautiful Lady at a High Society Waltz, as an Ottrani plays the violin? Seeing the face of a Beloved One to close a chapter & move on; around a room full of flowers & a shoulder to cry? Or more mundane fantasies, as finding themselves in the loving arms of a Mirage of Beauty tormenting their dreams?

—All Dreams can be crafted & gifted to ease a broken heart; All Hopes can be formed to bring faith in the Dark~ Love is a Luxury few are able to Purchase; but in the lies of an embrace perhaps Heaven awaits.